A Comparitive Study on Politics in Sathyajith RayÃ¢ÂÂs Films-Appu Triology, Mahanagar, Jana Aranya, Charulatha and Pathirdwani
Ramis Salam P*
Department of Mass Communication and Journalism, Pazhassiraja Collge, Calicut University, Pulpally, Kerala, India
- *Corresponding Author:
- Salam PR
Department of Mass Communication and Journalism
Pazhassiraja Collge, Calicut University
Pulpally, Kerala, India
Tel: 04936 243 333
E-mail: [email protected]
Received Date: September 06, 2016; Accepted Date: September 26, 2016; Published Date: September 29, 2016
Citation: Ramis Salam P (2016) A Comparitive Study on Politics in Sathyajith Ray’s Films-Appu Triology, Mahanagar, Jana Aranya, Charulatha and Pathirdwani. J Mass Communicat Journalism 6:316. doi:10.4172/2165-7912.1000316
Copyright: © 2016 Ramis Salam P. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
The most celebrated eminent Indian film director Satyajit Ray pasteurised the political history of India during 70’s and 80’s through his films. It looks different and gets more popularity. Politics, the word itself does not a word which used for valance and protest, otherwise politics is the internal evolution of human beings. The Ray characters played a very important role in deliver the political circumstances in 70’s and 80’s. It may be a striking political lesson. Politics, the word most commonly used for convey the provoking idea to the people. Satyajit Ray tries to wipe out the evil face of politics through his films In this study politically analysis the films Appu Trilogy, Jana aranya, Charulatha and Prathidhwani with the help of Indian political scenarios. This study is based on the content analysis of Sathyajith ray movies. The study conducted based on the method of mise-en scene of Sathyajith ray films. The study is also based on the theoretical frame work of Gandhian aproches and Marxian view. This paper finds out that, Sathyajith ray films are highly political, with respect to the senario of those period of film are made.