alexa Comparing Mira Bai with Lal Ded, Habba Khatoon
ISSN: 2151-6200

Arts and Social Sciences Journal
Open Access

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Short Communication

Comparing Mira Bai with Lal Ded, Habba Khatoon

He Y* and Bhat NA

Department of English Literature, Wuhan University of Technology, China

*Corresponding Author:
He Y
Department of English Literature
Wuhan University of Technology, China
Tel: +8627865544
E-mail: [email protected]

Received date: September 09, 2015; Accepted date: September 21, 2015; Published date: September 25, 2015

Citation: He Y and Bhat NA (2015) Comparing Mira Bai with Lal Ded, Habba Khatoon. Arts Social Sci J 6:126. doi:10.4172/2151-6200.1000126

Copyright: © 2015 He Y, et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.



Lal Ded and Habba Khatoon are two Kashmiri women poets who share commonalities with Bhakti poet Mira Bai. Within the comparative framework the paper would try to explore these commonalities in their poetry. The selection of these three women poets would throw some light on the syncretism in the Sufi and Bhakti tradition as upheld by Lal Ded and Mira Bai respectively in their poetry. This paper would not be just an intercultural comparative analysis of Lal Ded and Mira; it would also engage us intra-culturally. This analysis would be done within the framework of literary historiography. From Lal Ded to Habba Khatoon, we see a shift from the Sufi poetry to the romantic poetry. It is this “idea of literary history” which helps us to have a holistic understanding of these poets irrespective of their socio-cultural background, and the different temporal settings they live in. The aim of this paper is to explore their voices against the patriarchy. For this, the paper shall closely observe a few works of the above mentioned women poets and see, how their ideology of self-determination sets them apart not only from the women of their times, but also many women of contemporary times.


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