alexa Influence of Henrik Ibsen on the Social Drama of Rachel Crothers
ISSN: 2151-6200

Arts and Social Sciences Journal
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Research Article

Influence of Henrik Ibsen on the Social Drama of Rachel Crothers

Hossain MA*

Department of English, IBAIS University, Bangladesh

Corresponding Author:
Hossain MA
Department of English, IBAIS University
Bangladesh
Tel: +8801915908306
E-mail: [email protected]

Received Date March 28, 2016; Accepted Date April 22, 2016; Published Date April 28, 2016

Citation: Hossain MA (2016) Influence of Henrik Ibsen on the Social Drama of Rachel Crothers. Arts Social Sci J 7:179. doi:10.4172/2151-6200.1000179

Copyright: © 2016 Hossain MA. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited

 

Abstract

This study attempts to look at having an influence of Henrik on the social drama, Susan and God of Rachel Crothers, where it focuses on social themes and moral problems affecting women, including- sexual double standard, trial marriage, free love, divorce, and prostitution. Crothers gains a reputation as a young dramatist of serious potential with a very keen interest in an Ibsen style, “Social Problem Drama.” This study highlights Ibsen as a major 19th century Norwegian playwright, who is often referred to as the “Father of Modern Drama.” Today, Ibsen is considered to be the greatest Norwegian author; and is celebrated as a national hero by the Norwegians. However, there was a time when Ibsen was an object of criticism and condemnation not only in his contemporary Norway, but also in the continental Europe, and in the conservative bourgeois society in particular. Moreover, Crothers was an American playwright and theater-director known for her well-crafted plays which deal with the women’s questions and social themes. Among theater-historians, she is recognized as the most successful and prolific female dramatist writing in the first part of the 20th century. Anyway, this study aims to expose Ibsen’s and Crothers’ core philosophy of feminist message as well as social problem. It highlights Ibsen’s prose styled plays, including-Ghosts and A Doll’s House as a model-play with a view to prioritizing on the dominant discussion of Crothers’ play-text, Susan and God. In this regard, it would like to apply the critical comments made by prominent critics and scholars for presenting the influence of Ibsen on the social drama, Susan and God.

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