alexa The Beauty in Design - Aesthetics and Functions Caused by Combining Analogue with Digital Processing - Case Studies of Fashion Engineering and Automotive Design
ISSN: 2169-0316

Industrial Engineering & Management
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Research Article

The Beauty in Design - Aesthetics and Functions Caused by Combining Analogue with Digital Processing - Case Studies of Fashion Engineering and Automotive Design

Wachs ME1*, Bendt E2, Kreuziger M1, Brinkmann T1, Dornbusch L1, Scholl T1, Krinner S1, Detering N1 and Pfanzler L1

1Hochschule Niederrhein University of Applied Sciences, Faculty of Textile and Clothing Technology, Webschulstr, 31, D-41065 Mönchengladbach, Germany

2Hochschule Niederrhein - University of Applied Sciences, Reinarzstraße, Krefeld, Germany

*Corresponding Author:
Wachs ME
Hochschule Niederrhein University of Applied Sciences
Faculty of Textile and Clothing Technology
Webschulstr, Monchengladbach, Germany
Tel: +4921518220
E-mail: [email protected]

Received Date: November 01, 2016; Accepted Date: November 16, 2016; Published Date: November 19, 2016

Citation: Wachs ME, Bendt E, Kreuziger M, Brinkmann T, Dornbusch L, et al. (2016) The Beauty in Design - Aesthetics and Functions Caused by Combining Analogue with Digital Processing - Case Studies of Fashion Engineering and Automotive Design. Ind Eng Manage 5:200. doi:10.4172/2169-0316.1000200

Copyright: © 2016 Wachs ME, et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

Abstract

Design attraction and design codes stands in relationship to function and strategy concepts in business cases of fashion as well as in automotive design. At the same time we are living in a design dominated world, which gets new inspirations by changing production processes from the fourth industrial revolution. Industry 4.0, that will transform design, operation, service, and manufacture of products. Generating design as “form follows function”, with the requirement, like Dieter Rams said, “less design as possible” shows the timeless reasonable fact of classic style with focussing the end of natural sources. The demand on the beauty in design will never end. But what does “Beauteousness” means in design in the year 2020? How to generate new or timeless beauty in design? How to implement consumers demand for a wider variety of increasingly customized products. The earlier definition of beauteousness during the renaissance time specified the term “beauteousness” in relationship to proportion, which had been measured with length in combination with the development of creating central perspective in art, to focus a harmonious balance of creative elements. Architects and theorists like Leon Batista Alberti defined a well proportion in balance, a harmony of elements to generate an ideal icon of beauty. During the 20s century architects like Sullivan and the Bauhaus school taught the beauty in design as forms related to timeless combinations of geometric forms. The modern times opened the possibility to get new impetus of the beauty in design, when ugly design gets attraction: Umberto Eco asked about the beauty in ugly phenomena with the help of his book “on Ugliness”, which inspired the fashion scene. Now, during the 21st century we have to consider that different parameters constructing beauty in design: sustainable requirements, bionic parameters and generated fashion are some examples. Beside the artistic and philosophical definition of beauteousness, the industrial process is creating beauty full forms: digital generating with special software allows to define new beauty full forms new beauty full codes in product design. And beside this, the generated design creates new functions. Today we know, that only the combination of thinking and doing, in analogue with digital processes will fashioning the future in all design disciplines.

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