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Biomusical Engineering and Music | OMICS International | Abstract
ISSN: 2090-2719

Journal of Biomusical Engineering
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Opinion Article

Biomusical Engineering and Music

Alexander J. Graur*

University of Torino, Italy

Corresponding Author:
Alexander J. Graur
University of Torino, Italy
Tel: +39 011 670 6111
E-mail: [email protected]

Received date: August 8, 2015 Accepted date: January 7, 2016 Published date: January 11, 2016

Citation: Graur AJ (2016) Biomusical Engineering and Music. J Biomusic Eng S1:001. doi:10.4172/2090-2719.S1-001

Copyright: ©2016 Graur AJ. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited


In further presenting the mission of our journal to the colleagues interested to collaborate I think it is useful to stress the principle and the importance of teaming, when it comes to biomusical engineering. An encyclopedically knowledge like that of Pico della Mirandola was possible only in Renaissance times. In todays’ world the knowledge implies far much more notions and methods regarding every aspect of our life; one cannot be a professional figure in more than one specialty. Hence the need to collaborate with other professionals specializing in different sectors of science. A common basic knowledge of all the disciplines implied is logical; but each team member should bring the personal contribution mostly in her/his own main field of research. We need scientists and technicians specializing in biology, neuroscience, medicine, psychiatry, physics, along with sound engineers, audio lab technicians, psychoacoustic specialists and many more alike.